Pushtimarg, Past and Present: New Perspectives on a Hindu Sampradaya
Focusing on the devotional sect of Pushtimarg, this panel encourages a diversity of papers to stimulate new debates on the significance of the sect vis-à-vis its social histories, devotional practices, theologies, literatures, visual and performing arts from the 15th century up to the present day.
· Emilia Bachrach Oberlin College (Oberlin, Ohio, United States of America)
This panel aims to take advantage of a common focus—the Pushtimarg—to highlight how diverse disciplinary perspectives might fruitfully complicate its academic research.
The Pushtimarg (The Path of Grace) has been studied by historians of religion who have attended to the social context of its emergence during the late 15th century in the region of Braj. The sectarian literature, namely Sanskrit treatises, Braj Bhasha hagiographies and devotional poem-songs, have animated scholarship across religious and literary studies. The Pushtimarg’s social history has also been a subject of scholarly interest, namely the sect’s movement from Braj to western India from the late 17th century, its struggle to re-establish itself during the 19th century in the Bombay Presidency, and its eventual growth into a transnational community during the 20th and 21st centuries. The Pushtimarg’s intricate network of temples and Krishna icons (e.g. Shri Nathji at Nathdwara), managed by hereditary leaders, and the renowned performative practices of seva (service) have been a subject of interest for art historians and anthropologists who have attended to the sect’s visual culture, musical traditions, and temple economies.
Building on this rich and growing record of scholarship, this panel encourages a diversity of papers from multiple and trans-disciplinary perspectives. We invite papers that address primary source materials—including text, image, music, and performance and the social contexts of their reception—from a variety of methodological positions including, but not limited to, decolonial studies, transculturalism, and feminist and queer studies.
- Ambivalent Authority: Manoraths as history in the depiction of power dynamics at theUdaipur Court (1921 - 1930) (Aditya Ruia)
- How to raise the divine baby Krishna; the Pushtimarg way of devotional seva (Anishka Gheewala Lohiya)
- Kings, Icons, and Festivals: the Saptasvarupotsava of 1739 as represented in a mural at the City Palace of Kota (Isabella Nardi)
- Mobile Masculinities and Hashtag Hinduism (Emilia Bachrach)
- On Katha and Koshtak: Imaging the Seven-Day Sermon in the Vallabha Devotional Community (Priya Kothari)
- Retrieving Gopīnāth From the Margins of Puṣṭi Mārga History (Shandip Saha)
- Telling Kr̥ṣṇa’s tale: the Brajvilās by Brajvāsīdās (Rosina Pastore)
- The lost 18th century utsavamalika (garland of festivals) of Shri Nathji in the Jhala ki Haveli, Garh of Kota, Rajasthan (Joachim Bautze)